At the same time, you can quickly add stylized transitions or surreal visual effects.Īdjust clips speed and add speed ramps in the Action Camera Center designed to craft the perfect slo-mo or time-lapse shot. Layer tracks, nest clips, and manage substantial projects with ease. The streamlined drag-and-drop editing timeline makes it easy to organize and cut your footage. Whether you want to capture the bright, eye-catching look of a YouTube vlog or transport your viewers into a fantasy world of your creation, PowerDirector has all the tools you need to bring your vision to life.
#Pinnacle studio 20 timeline volume software
This video editing software offers unmatched functionality without the complicated processes, slow rendering times, or lengthy tutorials that other platforms require. DVDs created by Studio do not play back, or appear blank.Within minutes of using PowerDirector for the first time, you’ll understand why we love it so much.
#Pinnacle studio 20 timeline volume movie
“Burning failed” error appears in Make Movie.Studio hangs on launch or does not launch.Configuring the camera or video recorder.Working with theme clips on the Timeline.Pinnacle Studio > Anatomy of an audio clip To select which of the three adjustment lines is currently displayed, use the audio clip’s right-button context menu:Īvailability: Surround sound is supported in Studio Ultimate only. The effect of adjusting the line can be previewed only on systems where surround-sound playback is available. Note: You can only view and edit a clip’s fade line when the Volume and balance tool is in surround mode. Similarly, raising the fade line moves the clip away from the listener, and lowering it brings the clip towards the listener. Raising the stereo balance line positions the audio clip’s output further to the listener’s left, while lowering it positions the clip further to the listener’s right. The green stereo balance line and the red front-back balance (“fade”) line work similarly to the volume line, except that in both cases the neutral position is the vertical center of the clip, and the adjustment scale is linear. For instance, an upward-sloping line segment will produce a smooth, steady fade up from the starting to the ending level. Perceived volume varies logarithmically with the strength of an audio signal, so this feature allows the adjustment line to model more accurately what you really hear. Unlike the waveform graph, or the adjustment lines for balance and fade (see below), the volume adjustment line is scaled logarithmically. If you raise or lower the volume of the entire track, the volume line remains horizontal, but is now higher or lower than the zero-gain base level.įinally, if you make volume adjustments within the clip, the line consists of sloping segments that meet at volume adjustment handles. This is the “zero gain” (0 dB) level, where the clip’s original volume has been neither increased nor decreased. If you have not adjusted the volume at all, the line runs straight along the clip at about three-quarters of the clip height. The orange volume line graphically models the volume changes you have made to the track and clip. A staccato sound has brief pulses separated by silences where the waveform is a horizontal line. A continuous sound, such as a car engine, has many pulses packed closely together. A loud sound has a waveform with larger peaks and troughs, reaching almost to the borders of the clip. A quiet sound has a narrow waveform, close to the centerline of the clip.
The appearance of the waveform graph tells you something about the character of the sound. Waveform graph excerpt from three neighboring clips. The actual content of the audio is indicated by a waveform graph:
The boundaries of each clip are denoted by vertical bars. An audio clip icon on the Timeline has several parts.